And the Award Goes To...

The opening night party for this years Junior League of Boston's Decorator Show House was made extra special when I was presented with this year's Pineapple Award.  The party was hosted by Carter Dayton Home, New England Home Magazine, Max Ultimate Food and The Junior League of Boston.

I join an amazing list of New England designers who have been honored with this award for their support of the Show House and the Jr League. 

Douglas Truesdale, Michael Carter, Lynn Dayton, Justine Dusenbery
Jim Swan, Marcia Smith, Kelly Stebbins, Tess Olson

It was great to have the staff of both Carter and Company and Carter Dayton Home present to help me celebrate this achievement. None of the great work we do could happen without the whole team's support and amazing talent.

If you haven't already done so stop by The Jr. League Show House (The Potter Estate, 71 Walnut Park Newton, MA 02458)  and enjoy the talents of New England's finest design professionals. When you're done there swing by Carter Dayton Home (276 Washington Street Wellesley Massachusetts 02481 www.carterdaytonhome.com) and see what all the excitement is about.

And be sure to check out the mention of Carter & Co and Carter Dayton Home in today's Wellesley Townsman! 

All Things Furniture

Where does it come from? 

That’s a question I find myself asking more and more these days.   From the food on my table to the clothes on my back, I’ve become increasingly interested in knowing the details of the myriad of consumer goods that we find ourselves involved with in our fast-moving culture.  There often seems to be an intentional veil of mystery regarding many of the objects in our lives, because if we truly knew where it came from, how it was produced we most likely wouldn’t buy it.  Things can be awfully enticing in their final form – beautifully packaged, deliciously presented, but how are we to know that there’s ethical and humane treatment of workers involved?  Or that there’s true quality and craftsmanship in what we see?   Case in point – furniture.   We spend our entire lives surrounded by, working on, sitting on and looking at furniture.   The company I want to tell you about here does it the right way in every way in response to “where does it come from?”  That company is Hickory Chair.

On Monday of last week I joined my colleagues Lynn Dayton and Jim Swan for a trek to North Carolina, to the heart of American furniture manufacturing, the small town of Hickory.  Our purpose – to attend Hickory Chair University.   Our three day interactive with the amazing, highly customizable furniture produced by this 100 year old company was only bettered by an unprecedented look at one of our industry’s most successful businesses. Thinking back on our time at Hickory Chair University (HCU) I’m hard pressed to decide which was more impressive; their incredible furniture collection or their business structure and systems. Thankfully I don’t have to choose.

When it comes to quality and custom options no one I know, manufacturing furniture today, offers the range which Hickory Chair offers. From 19 wood finishes, 24 paint finishes (plus they’ll apply any Benjamin Moore color to any piece) in weathered, vintage or rustic techniques; 12 special painted finishes (gold and gold leaf...etc.); one-of-a-kind, hand painted work by an in-house artist; antique or solid striping; hardware in antique brass, antique bronze, antique silver or Customer’s Own Hardware (a program pioneered by Hickory Chair and one which they’ve copy written); 8 different skirt options; monogramming of initials, motifs or crests and literally dozens of trim, nail head, gimp and ribbon options. Oh and there’s over 800 fabrics to choose from or you can send in your customer’s own fabrics. This doesn’t begin to touch on the fully customizable Silhouettes program where you can select from arm styles, legs, custom depth and height, skirt or no skirt, casters or no casters..etc.  The options are limited only by your imagination. Really!

 

None of this would be possible had a decision not been made 10 years ago to switch their manufacturing philosophy to “lean manufacturing” which “calls for a series of adjacent workstations, balanced and synchronized to leave no inventory between stations.”  Even more important to the company’s success is their empowering of each employee to be a messenger of improvement and change. The culture of continuous improvement is known to Hickory employee’s as EDGE – Employees Dedicated to Growth and Excellence. And after touring the factories and meeting the people constructing each piece of furniture; allow me to tell you their system works.

Rather than ramble on and on allow me to invite you to meet Hickory Chair furniture in person. Starting 01 October 2012, when Carter Dayton HOME (our new retail store located in Wellesley Massachusetts) opens its doors, I invite you to come in and witness for yourself the quality, beauty and wide range of options available. I’m proud to say that Hickory Chair is a core part of our new business venture. 

Inspired Interiors

Like a splash in the deep pool of American design a fresh spin on interiors gets people’s attention. It was a few years ago that I first saw the shimmer of a Suzanne Kasler room and it’s been a delight for me to watch her professional presence expand ever sense.  And from the images in her book and recently published projects I’ll admit to a bit of professional jealousy. For the scale of the homes in which she works is a designer’s dream; not to mention the classical architecture which provide such perfect backgrounds for her colorful, elegant work.

Of particular delight have been the times when our paths have crossed and I’ve had the pleasure of time spent with Ms. Kasler. What I’ve discovered is that, whether at a book signing for her Rizzoli published tome “Inspired Interiors”,

an industry event for her Hickory Chair furniture collection or the launch of her fabric collection for Lee Jofa Suzanne’s great wit and expansive knowledge have impressed me to no end.

When I last saw her, during the High Point Furniture Fair earlier this year,

her fresh take on modern living was on display in a series of Hickory Chair showrooms. Bold colors, dressmaker details and a unique mix of antique inspirations and modern sensibilities marked these galleries as unique; spinning a stylish cosmopolitan story that seemed popular to everyone who entered.

Suzanne’s hearty laugh could be heard echoing around these artfully crafted spaces. And between photographs, compliments and generous hugs I got to hear about all the great things happening to of one of my favorite designers working today. Suffice it so say we’ve only just begun to see the depth, range and reach of my talented friend; Suzanne Kasler.

Enjoy this look at some of her recent work and be certain to check out her website @ http://suzannekasler.com

A Very Pheasant Affair

Last November, Carter and Company was honored with the prestigious Bulfinch Award presented at the Massachusetts State House for excellence in Classical Interior Design.  This award is presented yearly by the New England Chapter of the Institute of Classical Architecture and Art and is given to architects, artists and designers for work embracing the principals of and passion for classical design.

Here I am with the staff of Carter & Company having received the Bullfinch Award.

Classical design has been at the heart of my work since boyhood when I would sketch for hours the façade of Monticello or other great Southern plantations with their strong Greek and Roman influences.   Even today, when left solely to my own devices, as opposed to the desires and wishes of a client, my aesthetic instinctively pulls me in the classical direction.

I am convinced that I must have had several past lives surrounded by the splendors of the ancient world!

In that vein, I was extremely pleased and delighted to suddenly find myself swimming in a sea of neo-classicism at the Spring Furniture Market in High Point.  I was with colleagues Jim Swan and Lynn Dayton and we were viewing the new collections at Baker (which is always the highlight of the trip I must confess).   And next thing I knew we were having a lively chat with the legendary interior designer Thomas Pheasant, who was there to showcase his anniversary collection of furniture for Baker (10 years hardly seems possible) all heavily inspired by classical design.   

We were especially impressed by a series of monumental photographs which were displayed as art for the collection.  What we were seeing, we learned from Thomas, were in fact photos taken by Thomas Pheasant himself.  

These large scale images featured unusual perspectives on architectural details. Their cool black and whiteness and bold scale seemed a perfect foil for the elegant furniture but also stood well on their own.   They beautifully reflected his life-long love of classical architecture.   And it’s this reverence for all things architectural that comes through in the furniture collections. The graceful line, nuanced curve and the attention to the smallest details make the furniture, like his work for private clients, a joy to behold. 

Keeping it in the Family

I came across a book in my library this morning that featured the work of Parish-Hadley. The sudden reality that our industry has now lost both these design legends gave me pause. That sense of loss continued as I looked across the length of that particular shelf and realized that so many of the legendary designers I grew up admiring and learning from – Billy Baldwin, David Hicks, Nancy Lancaster --have passed from this world.  One of those giants is of course Mark Hampton.  I just treasure my copy of his 1989 Mark Hampton on Decorating which features his own watercolors of rooms he decorated during his illustrious career. And I carry with me, as if looking at it today, the wonderful memory being in Mr. Hampton’s NYC apartment in the 1990’s with his small foyer done in faux limestone blocks.  And since imitation is the highest form of flattery,  for my next house (which I’m planning right now!), I plan to use as inspiration his famous chocolate brown living room with its crisp white details, lush upholstery and elegant antiques.

Mr. Hampton's inspiring Living Room.

 It’s a fine and fitting addition to the landscape of American interior design, that Mark Hampton’s legacy is continued today by his stylish, beautiful and intelligent daughter Alexa. It has been my delight, on a number of occasions, to meet Alexa and observe how she has continued to expand on the work established by her father while giving it her own personalized stamp.

Me with the ever fabulous Alexa Hampton at High Point earlier this year.

Her collections for Hickory Chair, Kravet Fabric, Stark Carpet and Visual Comfort have injected into the marketplace that classic styling we’ve come to expect from the Hampton name.  And her latest foray into publishing has added a new volume to my library (and I suggest the same for you) with the completely modern, yet respectfully Hampton-esque  “Alexa Hampton; The Language of Interior Design” (Crown Publishing Group). 

Her spirit of fun combined with an extensive knowledge of design and architecture makes every interaction a delight.

A Modern Living Room by Alexa Hampton; as timeless and comfortable as those of her father.

As timeless a bedroom as one might want, thanks to Ms. Hampton.

As I prepare with my business partner Lynn Dayton to open Carter Dayton HOME this fall in Wellesley, I look forward to inviting the uber-friendly, always charming and often naughty Alexa Hampton to venture up to Boston for the unveiling.  Featuring some of Alexa Hampton’s own product designs, Carter Dayton HOME is slated to be Boston’s premier luxury home furnishings store.  Watch for news on the store and all the exciting lines we’ll be carrying along with an amazing roster today’s design legends who will certainly add to all the excitement.

In the meantime pick up a copy of Alexa’s new book (http://is.gd/TVqBH5) and make your world a bit more beautiful.

The Ease of Green

With Summer 2012 officially off the ground those with aesthetic inclinations are eager for new and interesting ways to introduce the essence of the season into their home.  While entertaining takes on a more relaxed tone during these sun-drenched months attention to detail and a freshly attended environment are never out of fashion. Having witnessed firsthand the dazzling colors being offered up by the design industry during this spring’s High Point Furniture Market I’m embracing (and suggesting) green in all its varied shades and tones  as an important player in our living and entertaining environments this summer. Whether you’re updating your wardrobe, refreshing a living room (dazzle with a fresh coat of Benjamin Moore Perennial #405) or looking for a new accessory to interject a shot of color; green is where it’s at this summer.  I can’t wait to see how you use green in your home this summer.  Snap a picture and share it; I’ll be doing the same thing as the summer rolls along. Here are a few images to stir your imagination.

Shades of Green Dresses by Frances McLaughlin-Gill for the April 1952 Glamour, courtesy Vogue/Conde Nast

Green pillows and glasses add punch for summer entertaining

Benjamin Moore, Perennial #405

A snappy vignette from Century Furniture

So many shades of green……

Green Vases from Global View

Carter & Company; On the Go

It seems like just yesterday that we attended an evening hosted at the Hampshire House by Historic New England and the Odgen Codman Design Group where our good friend Charles Spada spoke. He discussed the restoration work on his historic Normandy home, the Manoir de Berthouville. Our special thanks to everyone who made the evening such a success.

La Dolce Vita and the Living Legacy of Tony Duquette

Ah, the Good Life!

Do you know of the splendid coffee table book by Slim Aarons “A Place in the Sun"--  a collection of photographs showing the rich and famous at play during the 60's?  I can't tell you how often I indulge myself the pleasure of getting lost in these iconic images that conjure up bygone elegance and glamour, when taste was both confident and chic.  I would always conclude these indulgences with a forlorn sort of melancholy -- those days are gone forever, Michael.

Or are they??????

On the evening of Friday, February 17th I found myself dressed rather smartly in formal attire alongside my business partner Douglas Truesdale, in the back seat of a liveried Jaguar sedan winding our way up into the heights of Beverly Hills to the home of complete strangers, the Count and Countess of Alastaya.  We had no idea what expect other than a swanky party, a benefit for Save Venice.  We had only one loosely acquainted friend who we might see, otherwise, we were flying solo, or in our case duo.

Turban-wearing attendants escorted us into the entryway along with a stream of other guests and Douglas and I we're immediately aware that, as our good friend Dorothy once put it, we weren't in Kansas anymore.  By walking through the front door of the private home of Hutton and Ruth Wilkinson, aka the Count and Countess, we thus began a weekend-long odyssey of elaborate parties where attendees were encouraged to dress in 60's couture -- "La Dolce Vita" as the weekend was proclaimed --Beverly Hills style, and my fantasy of basking in the glow of that golden era, if only for a short glimmer of time, was about to come true.

Ruth and Hutton Wilkinson, Count and Countess of Alastaya

Let’s start with Count and Countess’ glamorous (jaw dropping) home “Casa Contessa” which was built three years ago and adjoins Tony Duquette’s storied property “Dawnridge.” Hutton Wilkinson was Tony Duquette’s business partner, and inherited his estate and businesses after Tony passed in 1999. Hutton now runs the various Duquette empires, but is also an incredibly accomplished decorator, fabric designer, jewelry designer and accessories designer in his own right. Dawnridge sits at the long edge of a canyon-like property high in the Hills of Beverly, and Ruth & Hutton have built their home at the narrow end of the same canyon. The two homes share one of the most fantastically imaginative gardens I’ve ever seen: Tropical plants, palm trees, fig & olive trees comingling with an Indonesian Folly; a gondola floating in a koi-stocked lagoon; not to mention the crystal chandelier fitted with a disco ball in its interior; and towering palm tree-like sculptures that have over-scaled porcupine quills as foliage!

We're not in Kansas anymore...

One enters the Wilkinson’s home on the second level; the front doors open to an expansive gallery-like space, with an elliptical stair that coils up and down on the left side of the gallery, and a glass railed balcony that overlooks the two story high living room on the right. Douglas and I were immediately awe-struck as we gazed upon the spectacle of the party that enfolded below: Coral walls punctuated with gold leaf; Venetian paintings and blackamoors; leopard pattern carpet over polished black marble floors; yards and yards of HW designed fabric for Jim Thompson and Los Angeles society decked out in their best couture and jewels. We descended to the living room to be met by our host, Hutton, who waited to greet his guests at the bottom of the stair. From there, it was if we were carried on a cloud all night… we were simply enchanted. Adding to the sensory overload was the fact that Ruth and Hutton had staged the party in three phases: Cocktails at Casa Contessa; dinner in the gardens; and dessert and dancing at Dawnridge. This allowed us revelers to see all the glories of each property, and to be fully immersed in the creative genius that conjured up these magnificent environments.  One half expected to see the Fabulous Cushing Sisters, or Cole Porter or Auntie Mame herself walk through the door at any moment. I don’t think there’s been a party like this since Truman Capote’s Black & White Ball!

Staircase at Casa Contessa

Living Room at Casa Contessa

Dining Room at Dawnridge

Ballroom at Dawnridge

After some beauty sleep, Douglas and I attended the centerpiece of the weekend’s festivities, the Fellini Ball, which was held in the Crystal Ballroom of the Beverly Hills Hotel. The 1960’s theme was in full-force that evening complete with President and Mrs. Kennedy impersonators, go-go dancers, an army of James Bonds, and the likes of Marilyn Monroe, Maria Callas & Elvis Presley making guest appearances. Of course, being LA, the Paparazzi were there too! The charming, handsome Chairman of Save Venice, Inc., Matthew White, gave a lovely toast to the assembled guests, and explained some of the important restoration work that is taking place in Venice thanks to the fundraising efforts of SVI. Did you know that Save Venice, Inc. raises more money for the restoration of art and architecture in Venice than any other organization or country? Pretty impressive!

The Crystal Ballroom of Beverly Hills Hotel

Paparazzi!

Michael and Douglas with Juan Prieto and Matthew White, chairman of Save Venice, Inc.

The orchestra coaxed one and all to the dance floor before, during, and after dinner. And in between spins on the dance floor, Douglas and I managed to make some new west coast friends. Of particular note were a group of four sisters who all flew down from the Bay Area on their private jet for the weekend’s festivities. These gals were doing it all with style, putting themselves up in the Presidential Suite at the Beverly Hills Hotel. This suite is actually a three-bedroom bungalow, with a living room, dining room, library, and most importantly, its own pool in its own back yard! The sisters invited us back to the suite for a nightcap after the ball had wound down, and we swapped stories poolside until the wee hours of the morning. Bliss!

Our new BFFs from the Bay Area

The final jewel in the weekend’s crown was a luncheon given at a gorgeous private residence in Beverly Hills. This was the time to reflect on all of the wondrous events of La Dolce Vita, and to solidify our new friendships. I can tell you, my head is still spinning from this whole experience, and I feel so grateful to have been given this peek into a glamorous life we rarely get to witness, let alone partake in.

Wes Carroll of Beverly Hills, Douglas Truesdale, Michael Carter, and the Pucci-clad Joy Venturini  Bianchi of
San Francisco

So, gird your loins, readers! All of this LA eye-candy has stoked the creative fires of Carter & Co., and we can hardly wait to share the wealth!

Michael Carter: Million Dollar Decorator

In my last blog,  I reported on the fantastic visit to Los Angeles with David Webster and John Becker of Webster & Company to view the full spectrum of all things Rose Tarlow Melrose House.  With husband David Rousseau and fellow Carter & Company designer Douglas Truesdale in tow, we explored the ultra-sophisticated collection now housed in the California-chic showroom on Melrose Avenue in West Hollywood. It was tremendous!

Michael Carter and Douglas Truesdale

As hoped, there were celebrity sightings of the Hollywood type: Anderson Cooper at breakfast, Geena Davis at LAX…that cute kid who plays Blaine onGlee in our hotel lobby (The London, which deserves its own blog full of accolades—so chic!). But the real bonanza for me was the plethora of designer celebrities at every turn.

Our host herself—that being the doyenne of design, Rose Tarlow—goes at the top of the column. I was completely amused by her obsession with her dog, Ollie. Rose is obviously still the creative force behind the venerable Melrose House, but I daresay that Ollie is the creative force behind Rose Tarlow! The thing she and Douglas really connected on was textiles, as Douglas has an encyclopedic memory for fabrics, and together they enjoyed remembrances of prints past.

Michael Carter visiting Rose Tarlow

Our first evening was spent dining with two celebrity designers from the hit TV show Million Dollar Decorator: Jeffrey Alan Marks and his partner Ross Cassidy. We were dining at a wonderful restaurant called Tavern, in Brentwood, and “the boys” were on either side of me at the main table as we enjoyed their very own design handiwork: the entire rear section of the restaurant, a huge, cavernous space that had been unused for years. Now, in the hands of Marks and Cassidy, it enjoyed a renaissance. But first a word or two about the show, in case you’re not a fan as I am.

Jeffrey Alan Marks, Michael Carter and Ross Cassidy

Million Dollar Decorator is the best design show ever to be aired on television. Why? Two reasons. One is its pure entertainment value, with a well-selected cast of colorful characters. The series explores the trials and tribulations, the triumphs and tragedies of real professionals, real LA designers with real LA clients, real homes, real issues. Sure it’s Hollywood, and everything is a big drama. But unlike these other ridiculous shows where rooms are done in a week for $500 or entire homes are leveled and rebuilt, landscaped and decorated in eight days (as the world watches with hanky in hand), this show comes the closest to anything I know and understand about the wonderful, glamorous and not-so-wonderful and not-so-glamorous world in which I have been immersed for the last sixteen years, with all its ups and downs. It quickly becomes apparent that lots can go wrong and does go wrong in their perilous professional world filled with high-maintenance clients, as we sit and squirm at home watching these celebrity designers worm their way out of troubles, nod approvingly at their successes and howl at their antics.

So what of Jeffrey Alan Marks and Ross Cassidy?  Well, the series would have you believe they are a bit of a circus act, but spending an evening in their company and in a space that they have created would say otherwise. They were delightful, on their game and genuinely interested in meeting us. I found out that they are filming part of the next season’s installment on Nantucket, and I’m very excited to see the project that they’re undertaking—which has a fun twist, as their client has given them some restrictive guidelines that will make it very challenging.

We also bumped into Nathan Turner at Melrose House, and shopped in his new store on Melrose Avenue where I picked up a few nifty gifts. He was quite pleasant and personable. And we spent an afternoon at Greystone Mansion, currently the designer show house in Beverly Hills where virtually all the members of the MDD cast have done a space, including Martyn Lawrence Bullard. His master bedroom suite was all in shades of black and white and grays and was nicely done—but of course nicely done with the new collection of fabrics that he has designed exclusively for Schumacher. Particularly effective was a super-size wool paisley that he used to upholster large panels of the bedroom walls. And, by the way, Martyn is a doll! We had dinner in Boston recently as guests of Schumacher, and I have to say (God forgive me), he actually is as delicious in life as he is on television (“delicious” being his word du jour!).

Martyn Lawrence Bullard and Michael Carter

The other big LA designer name, if not the biggest name, of course, is Michael Smith, with whom I also recently dined at No. 9 Park here in Boston. He initially seemed uninterested in the guests at the table, but when he did engage, I really appreciated what he had to say about managing a large firm. He said he has a staff of thirty-five. Can you imagine? And all through the evening the calls kept coming in from LA as we were three hours earlier than his office staff. Suddenly I understood. Not easy being big. I love, love, love his work!

And who is the most down-to-earth celebrity designer I’ve ever met? That honor comes back to the East Coast and goes to the legendary Bunny Williams: that hardworking, knowledgeable, ever-versatile, both country and city, no-airs, class act of a designer. Can you tell I’m a huge fan? Naturally she’s a good Southern girl, but I’m sure that has nothing to do with it!

Bunny Williams and Michael Carter

—Michael Carter